If not, then don’t worry as I will be sharing several Japanese pitch accent resources. In isolation, the words hashi はし /hasiꜜ/ hàshí "bridge" and hashi /hasi/ hàshí "edge" are pronounced identically, starting low and rising to a high pitch. For instance, the word for "now" is [iꜜma] in the Tokyo dialect, with the accent on the first mora (or equivalently, with a downstep in pitch between the first and second morae), but in the Kansai dialect it is [i.maꜜ]. For example, 70% of native nouns are unaccented, while only 50% of kango and only 7% of loanwords are unaccented. Japanese pronunciation can be difficult for beginners, but these tips from Ann Arbor, MI teacher Elaina R. can help you understand some of the basic rules.  However, the accents patterns of the Ryukyuan languages are varied, and do not all fit the Japanese patterns. Many linguists analyse Japanese pitch accent somewhat differently. Dai Jirin (大辞林) is an excellent resource, both online and on dead trees, to learn standard Japanese. In the neighboring areas of Tokyo-type and Keihan-type such as parts of Kyushu, northeastern Kanto, southern Tohoku, around Fukui, around Ōzu in Ehime and elsewhere, nouns are not accented at all. OJAD is an online dictionary for Japanese language learners and teachers. This is termed a two-pattern (nikei) system, as there are two possibilities, accented and not accented. Japanese Step by Step has pitch marked as well. With the simple addition of the particle ni "at", for example, /hasiꜜni/ hàshí-nì "at the bridge" acquires a marked drop in pitch, while /hasini/ háshi-ni "at the edge" does not. Japanese pitch accent (高低アクセント, kōtei akusento) is a feature of the Japanese language that distinguishes words by accenting particular morae in most Japanese dialects. Heiban, which has no falling pitch, and kifuku (I think that's the name..? What are the pitch accent rules for verb and adjective conjugation? Therefore, probably the “correct” accent pattern to use should be that of the Tokyo dialect (as in your examples of はし). Studying pitch accent from a book wont help very much though. English uses stress accent. In Kansai, however, verbs have high- and low-tone paradigms as nouns do. When initial in the phrase (and therefore starting out with a low pitch), the pitch typically rises on the o, levels out at mid range on the moshi, peaks on the ro, and then drops suddenly on the i, producing a falling tone on the roi. afterthoughts and updates In their view, a word either has a downstep or does not. non in Japanese, the present paper reconsiders the notion of pitch accent as applied to Tokyo Japanese. influence the pitch accent of a phrase. In any case, the downstep has phonological meaning and the syllable followed by downstep is said to be "accented". However, this distribution is highly variable between word categories. The most important things are to avoid stress accents in an English fashion and to pronounce Japanese loan words in Japanese rather than English. This phrasal prosody is applied to individual words only when they are spoken in isolation. They are like accented words in Kagoshima, except that again there are many exceptions to the default placement of the accent. One other thing you should at least be aware of is that Japanese makes use of pitch accent, as opposed to stress accentin English. The pitch change doesn’t occur within a syllable but at the change of syllables. For example, irogami 'colored paper' is unaccented in Kagoshima, while kagaribi 'bonfire' is accented. once the pitch lowers it won’t rise again. #8 I finally got a chance to ask a Japanese teacher (and teacher-trainer) about what the thinking is in teaching pitch accent. tl;dr Listen to native speakers and imitate them. If a word is unaccented and high-tone in Keihan dialects, it is also unaccented in Tokyo-type dialects. Rather than highjack his comments (as I tend to write lo~ng comments) I ‘ll post my thoughts here.Japanese uses pitch accent. The ultimate or penultimate high tone will shift when any unaccented grammatical particle is added, such as nominative -ga or ablative -kara: In the Shuri dialect of the old capital of Okinawa, unaccented words are high tone; accent takes the form of a downstep after the second syllable, or after the first syllable of a disyllabic noun. oHAYOU GOZAIMAsu — one phrase, aRIgatou goZAIMAsu — two words These are considered quite corny, and are associated with oyaji gags (親父ギャグ, oyaji gyagu, dad joke). In 2014, a study recording the electrical activity of the brain showed that Japanese mainly use context, rather than pitch accent information, to contrast between words that differ only in pitch.. Japanese describe the sound as "flat" (. That is, within the overall pitch-contour of the phrase there may be more than one phonological word, and thus potentially more than one accent. There are both high and low initial tone as well as the possibility of an accented mora. If the accent is on a mora other than the first or the last, then the pitch has an initial rise from a low starting point, reaches a near-maximum at the accented mora(e), then drops suddenly on any following morae. We will refer to it as Japanese. 2. Perfect Your Japanese Accent with One Fierce Strategy: Shadowing. of a word can have either high or low pitch. From the above table, there are three accent patterns for one-mora words, four (out of a theoretical 2n+1 = 5) for two-mora words, and six (out of a theoretical 2n+1 = 7) for three-mora words. Near the old capital of Kyoto, in Kansai, Shikoku, and parts of Hokuriku (the easternmost Western Japanese dialects), there is a more innovative system, structurally similar to a combination of these patterns. 幸せ [しあわせ] (adj-na,n) happiness, good fortune, luck. Without audio I doubt it would be any use at all. #7 From a high school Japanese teacher Katie Suttles on Edufire a link to a teaching supplement for the Genki textbooks. Unaccented low-tone words such as usagi 'rabbit' have high pitch only in the final mora, just as in Kagoshima: Hokuriku dialect in Suzu is similar, but unaccented low-tone words are purely low, without the rise at the end: In Kōchi, low-tone words have low pitch only on the first mora, and subsequent morae are high: The Keihan system is sometimes described as having 2n+1 possibilities, where n is the number of morae (up to a relatively small number), though not all of these actually occur. Incorrect pitch accent is a strong characteristic of a "foreign accent" in Japanese. the frog will go home). There is stress in terms of emotion or emphasis, but it’s important not to use English stress patterns, or to use English stress (louder and longer) in place of pitch stress ( a pitch change, a diatonic step). But do you have a good way of looking up the correct one for each new word you learn? For example, kaeru-ga kaeru /kaeruɡa kaꜜeru/ (蛙が帰る, lit. accent rule found in Kagoshima Japanese and many other dialects, where the pitch pattern of the initial member spreads over to the entire compound. However, because the downstep occurs after the first mora of the accented syllable, a word with a final long accented syllable would contrast all three patterns even in isolation: an accentless word nihon, for example, would be pronounced [ɲìhōɴ̄], differently from either of the words above. For instance 見る miru but mimasu. That is, unaccented nouns may have either a high or a low tone, and accented words have pitch accent in addition to this word tone. Phonemic pitch accent is indicated with the phonetic symbol for downstep, [ꜜ]. #4 Thanks to arunlikhati for the link to the paper on marking accents. Newsreaders and other speech professionals are required to follow these standards. If it does, the pitch drops between the accented mora and the subsequent one; if it does not have a downstep, the pitch remains more or less constant throughout the length of the word: That is, the pitch is "flat" as Japanese speakers describe it. It made me think again of the issue of pitch accent in Japanese; a recurring topic on BBSes and Blogs but rarely covered in textbooks or classrooms. However, the longer you wait to correct your pronunciation the harder it gets. There are two basic patterns in standard Japanese, the "Tokyo dialect". Yoko Hasegawa, Against Marking Accent Locations in Japanese Textbooks (University of California) section 5, 13. Accent training should be done as soon as possible in order for you to get used to new sounds in Japanese. Since any syllable, or none, may be accented, Tokyo-type dialects have N+1 possibilities, where N is the number of syllables (not morae) in a word, though this pattern only holds for a relatively small N. Accent and tone are the most variable aspect of Japanese dialects. ie shadowing. You pronounce /u/ louder than other part of the word. With four syllables the permutations are FFFF, LHLL, LHHL, LHHH, HLLL.  As in Tokyo, the subsequent morae have low pitch. Which could work as basic dictionary of sorts. Foreign learners of Japanese are often not taught to pronounce the pitch accent, though it is included in some noted texts, such as Japanese: The Spoken Language. あくじょうけん, and おんせんたまご is rather exceptional. My take on Chinese vs. Japanese pronunciation: Japanese is waaaaay harder. Nikei accents are also found in parts of Fukui and Kaga in Hokuriku region (green area on map). ), for which the pitch falls at the second to last mora. So a high tone may be sustained in rapid gapless speech until the next drop in tone, or a rise in tone may be ignored if the preceding phrase ends in a low tone. The foregoing describes the actual pitch. In accented nouns, however, the penultimate syllable of a phonological word has a high tone, which drops on the final syllable. The downstep on high-tone words in conservative Keihan accents generally occurs one syllable earlier than in the older Tokyo-type of accent. For example, using bold for high pitches: い ま (今) - "now" A final [i] or [ɯ] is often devoiced to [i̥] or [ɯ̥] after a downstep and an unvoiced consonant. Learn by shadowing or by having a native correct you. (Kagoshima phonology is based on syllables, not on morae.) Don’t sweat the small stuff. You compare recordings of your voice to a standard recording to see where you’re going wrong. In adult education where you probably only have 2 hours contact per week, communication and fostering fluency take precedence over the fine tuning of accents. —— The “official” line is to introduce new words with correct pronunciation and hand gestures and mark the pitch accent in handouts. © 2020 しあわせ. In most guides, however, accent is presented with a two-pitch-level model. Normative pitch accent, essentially the pitch accent of the Tokyo Yamanote dialect, is considered essential in jobs such as broadcasting. Usually pitch accent is presented as the method to distinguish synonyms. The Japanese language taught as a foreign language is most likely to be 標準語 (ひょうじゅんご), which is based on the Tokyo dialect. (You are actually using a higher pitch for the streesed syllabl as well although you may not be aware.) Proper standard Japanese is very important in broadcasting, although like the BBC who once only used received pronunciation maybe regional variations might become more acceptable in Japan. Unaccented high-tone words, such as sakura 'cherry tree', are pronounced with a high tone on every syllable, and in following unaccented particles: Low-tone accented words are pronounced with a low pitch on every mora but the accented one. Kindachi goes so far as to say ” …it would seem that there are no fixed accent patterns at all. haNA ga akai — the flower is red #3 To complicate matters I’ve noticed that verbs can change their pitch accent depending on their declension. When you pronounce an English word such as "student," the first vowel /u/ after /st/ receives a stress. T You can’t really hear yourself talk, so you either have to record yourself and compare your accent (WordChamp has an interesting on-line application that allows you to do this and overlay your recording and waveform with a native speaker’s) or have a native speaker who will listen to you and try to correct you. Phonetically, however, Tokyo accented words sound more like Osaka low-tone words, due to the initial low pitch in both. The rules are these 1: It has two tones high and low. 2 I’ve even seen musical notation used to denote tones. Newsreaders and other speech professionals are required to follow these standards. More than half of all Japanese words are 平板型 (heibangata), meaning that they have no tonic syllable. phonological distributions of Japanese pitch accent. INTRODUCTION Accent is a prominence given to a certain syllable in a word or phrase over the adjacent syllables, independently of the mode in which this prominence is produced. (2) In case N2 has the accent-fall at the last syllable, or has no accent fall, the compound noun accent falls on the first syllable of N2. Gene Nishi, Japanese Step by Step (McGraw Hill 2001) p20 illustrated in these two phrases, oHAYOU goZAIMAsu — two words MIA Japanese is an Anki 2.1 add-on that provides a variety of features for improving the ease and efficiency of Japanese study, some of the most notable being automatic generation of native audio, kanji readings, and pitch accent information, as well as automatic pitch accent coloring. I’m willing to research out all these rules, btw, because of a deep desire NOT to repeat the pain and suffering I went through undoing years of speaking Chinese incorrectly. Do not translate text that appears unreliable or low-quality. Accented high-tone words in Osaka, like atama 'head', are structurally similar to accented words in Tokyo, except that the pitch is uniformly high prior to the downstep, rather than rising as in Tokyo. Japanese sentences are constructed so that when spoken, the words sound almost like a melody, with rising and falling pitches. This chapter provides an over- view of the phonology of pitch accent patterns in modern Tokyo Japanese (hence-forth “ Japanese ”). For instance, most J<->E dictionaries omit pitch markings (the Pocket Kenkyusha dictionary being an exception, but I wouldn't expect it to have every word I want to learn). Every word has either one tonic syllable (yes, syllable, not mora, Japanese has both) or no tonic syllables. If a two-mora word has a low tone in Keihan dialects, it has a downstep on the first mora in Tokyo-type dialects. As far as I’m aware only specialist dictionaries such as NHK日本語発音アクセント辞典in Japanese give them. Although in other words with the moraic pattern of, Learn how and when to remove this template message, https://en.wikipedia.org/w/index.php?title=Japanese_pitch_accent&oldid=989194818, Articles lacking in-text citations from February 2008, Articles needing translation from Japanese Wikipedia, Articles containing Japanese-language text, Creative Commons Attribution-ShareAlike License. 1. That is, every word has the pitch pattern of Kagoshima irogami. ”. Unfortunately given the small amount of variation in pitch and the large number of synonyms this isn’t as useful as you might think. Pitch accent is the Japanese phenomenon where each mora (see What is the difference between a mora and a syllable?) In all cases but final accent, there is a general declination (gradual decline) of pitch across the phrase. It made me think again of the issue of pitch accent in Japanese; a recurring topic on BBSes and Blogs but rarely covered in textbooks or classrooms. This is the whole breakdown of the Japanese pitch accent system at the word level. Categories: 05 speaking • 話す事 | The rules are these1: So with two syllables the possible accents are FF (flat), LH, HL. For many Japanese words the accent is lexical: a word can be accented or unaccented, and in the accented class the location of the accent is unpredictable. As far as the rules of Standard Japanese's pitch accent system, there are four basic patterns to consider. Rather than mark up books in very cumbersome ways it is best to learn proper pronunciation by mimicry. #1 I think it is the advent of cheap CDs that stopped textbook makers attempting to markup accents. Hattori 1933 is a traditional textbook that compared the pitch accent systems of several Japanese dialects. Japanese uses pitch for its accent whereas English uses stress. Full… nou for 能 talent 脳 brain 農 farming Examples of words that differ only in pitch. 6 comments. Indeed I was thinking to myself how do you know you’ve got the correct accent even if you have annotations in front of you. This is called an ikkei (one-pattern) accent. First, setting aside the precise phonetic realizations, Japanese makes lexical contrasts in terms of pitch accent in two ways: (i) presence vs. absence, and (ii) if present, location. The advice for self-instruction is to understand about pitch but to learn accent by emulation of model Japanese sentences. The examples in (1) illustrate the lexical contrast based on the presence vs. absence of pitch accent.4 Clarke and Hamamura, Colloquail Japanese (Routledge 1981) p9 Bear in mind what English sounds like when the stress accent is placed in the wrong place. But overall it’s very hard to read passages marked up in these ways. It serves to differentiate lexical and/or communicative meanings. For instance, particles, auxiliary verbs, etc. However it is found that in the classroom when accent signs are used in handouts students’ accents sound slightly strange as they are more cautious when pronouncing, loosing fluency. Moreover, the accent is always on the penultimate mora, that is, the last mora of the verb stem, as in /shiroꜜi/ 'be white' and /okiꜜru/ 'get up'. Kagoshima is a purely syllabic dialect, while Osaka is moraic. Kubozono 2006 discusses Tokyo and Kagoshima Japanese with focus on their accent rules and patterns. Some of these are websites that are completely free to access and use, while others require you to invest some money to Basically there are three types of pitch accents in standard Japanese. Japanese pitch accent also varies in how it interacts with syllables and morae. For example, kokoro 'heart' is /kokoꜜro/ in Tokyo but /koꜜkoro/ in Osaka; kotoba 'word' is /kotobaꜜ/ in Tokyo but /kotoꜜba/ in Osaka; kawa 'river' is /kawaꜜ/ in Tokyo but /kaꜜwa/ in Osaka. One of my Japanese teachers finds the way Japanese place-names are mangled into American English on the Tokyo underground English announcements very distracting for instance. (possibly offline due to earthquake in Northern Japan Sunday March 13 2011). Tokyo Japanese raises pitch at the end of interrogative sentences, whereas many dialects including Kagoshima Japanese lower pitch … Like Captain Haddock said, it's better to just know it exists and try to imitate native speakers. I think a uniformly flat accent is the most acceptable foreign accent. May 2009 by ロバート The current standards for pitch accent are presented in special accent dictionaries for native speakers such as the Shin Meikai Nihongo Akusento Jiten (新明解日本語アクセント辞典) and the NHK Nihongo Hatsuon Akusento Jiten (NHK日本語発音アクセント辞典). Japanese uses two pitches, namely high and low. The next phrase thus starts off near the low end of the speaker's pitch range and needs to reset to high before the next downstep can occur. or Rather than highjack his comments (as I tend to write lo~ng comments) I ‘ll post my thoughts here. In kana I’ve seen lines under and over kana, or by using superscript for high tones. kougyou 工業 industry and kougyou 鉱業 mining for instance. If possible, verify the text with references provided in the foreign-language article. My mother is Japanese, my father is American, and both of them are bilingual. This post is prompted by an article on Doug’s blog Japan: Life and Religion. 2012 is the most comprehensive and also pays attention to other pitch accent systems of the language. Get HelloTalk now to chat with more than 1 million Japanese native speakers! A Japanese pitch accent practice program and L1 influence on pitch accent acquisition. The nature and location of the accent for a given word may vary between dialects. For instance, in the Kagoshima dialect unaccented nouns have a low tone until the final syllable, at which point the pitch rises. In western and southern Kyushu dialects (pink area on the map on the right), a high tone falls on a predictable syllable, depending only on whether the noun has an accent. The core rules for Tokyo Japanese pitch accent are fairly simple. A GUIDE TO JAPANESE PITCH ACCENTJapanese pitch accent is something so rarely taught in Japanese language classrooms – or textbooks for that matter … haNA GA AKAI — his nose is red, In fact the rules (if there are any) start to get complicated when you go away from single words and start using sentences. Fortunately context will give meaning in 99.9% of cases. Another problem is where to find out the tones of a given word. If the accent is on the first mora, then the first syllable is high-pitched and the others are low: HꜜL, HꜜL-L, HꜜL-L-L, HꜜL-L-L-L. Some have no accent at all; of those that do, it may occur in addition to a high or low word tone.. The initial rise in the pitch of the word, and the gradual rise and fall of pitch across a word, arise not from lexical accent, but rather from prosody, which is added to the word by its context: If the first word in a phrase does not have an accent on the first mora, then it starts with a low pitch, which then rises to high over subsequent morae. I think therefore that the important thing is to know of pitch accent’s existence. The current standards for pitch accent are presented in special accent dictionaries for native speakers such as the Shin Meikai Nihongo Akusento Jiten (新明解日本語アクセント辞典) and the NHK Nihongo Hatsuon Akusento Jiten (NHK日本語発音アクセント辞典). This resource may be used for independent study of Japanese, and training of Japanese prosody in Japanese language or Japanese teacher training classes. English uses stress accent. The multi-pattern system of Tokyo Japanese (nouns), for example, has been analyzed in terms of a lexical accent (Hattori, 1973, McCawley, 1968): the multiple tonal patterns are decomposed into two accentual types, accented and unaccented, with reference to the presence or absence of a sudden pitch drop within the word (or between the word and the following particle). In general, most 1-2 mora words are accented on the first mora, 3-4 mora words are unaccented, and words of greater length are almost always accented on one of the last five morae.. This system will be illustrated with the Kansai dialect of Osaka. Are your ears tuned enough to tell the difference in a single word out of context?  In Osaka, however, either pattern may occur: tombi 'black kite' is [tóm̀bì] in Tokyo but [tòḿbì] in Osaka. In poetry, a word such as 面白い omoshirói, which has the accent on the fourth mora ro, is pronounced in five beats (morae). In Miyakonojō, Miyazaki (small black area on map), there is a single accent: all phonological words have a low tone until the final syllable, at which point the pitch rises. I think it would also be very demoralising to have a teacher try to fine tune your pitch when you might not be able to hear the difference; it’s hard enough to remember the words and get them out grammatically at a reasonable speed. Words that have these third morae are referred to as, If the word doesn't have an accent, the pitch rises from a low starting point on the first mora or two, and then levels out in the middle of the speaker's range, without ever reaching the high tone of an accented mora. The following chart gives some examples of minimal pairs of Japanese words whose only differentiating feature is pitch accent. Particles become part of a word when considering pitch accent. However, speakers of ikkei-type dialects feel that they are accenting a particular syllable, whereas speakers of unaccented dialects have no such intuition. but The dialects that have a Tokyo-type accent, like the standard Tokyo dialect described above, are distributed over Hokkaido, northern Tohoku, most of Kanto, most of Chūbu, Chūgoku and northeastern Kyushu. Low-tone verbs are either unaccented or accented on the final syllable, triggering a low tone on unaccented suffixes. Then there are regional changes, even within the standard accent 4, and words whose pitch accent is variable. Forget your native language stress/intonation patterns and don't force them onto Japanese words. 4. Keihan (Kyoto–Osaka)-type dialects of Kansai and Shikoku have nouns with both patterns: That is, they have tone differences in unaccented as well as accented words, and both downstep in some high-tone words and a high-tone accent in some low-tone words. As such, I grew up bilingual and became aware of accents at an early age. In Kyoto, verbal tone varies irregularly with inflection, a situation not found in more conservative dialects, even more conservative Kansai-type dialects such as that of Kōchi in Shikoku.. And if you plan to live in Tokyo, where 10 or 12% of all Japanese live, you're set. This property of the Japanese language allows for a certain type of pun, called dajare (駄洒落, だじゃれ), combining two words with the same or very similar sounds but different pitch accents and thus meanings. Flat is usually marked as being low tone but I think this can change when a high tone precedes it; you just continue in that tone, you don’t necessarily drop the tone. There are regular correspondences between Tokyo-type and Keihan-type accents. Each syllable is pronounced with equal length, and each word has its own determined pitch and only one accent summit. 2. Japanese uses pitch accent. #2 Thinking back to Doug’s piece, children as part of their language acquisition skills are very good at discerning differences and mimicking them. Not all dictionaries will indicate this, but pitch accent is certainly important, because it can make the difference between different words. Once I get the rules figured out, I’m going to try and figure out a way to unify them to make it easier to learn. There are pitch accents with an accent on the first mora (high to low), the second mora (low to high), and then neutral pitch accent (no pitch accent). Japanese uses pitch accent, where every mora can either be pronounced with a high or low pitch. These rules are designed with the forethought that affixes will attach to words. In this representation, each mora is either high (H) or low (L) in pitch, with the shift from high to low of an accented mora transcribed HꜜL. As you get older you lose this ability, so it’s no surprise that Doug’s daughter has no problem and the relatively ancient L2 learners do. Unfortunately, just knowing how to correctly pitch a single word with its grammatical particles can't tell you everything you need to know about Japanese tonal variations, as noun phrases in total also vary their pitches according to complex rules of association with surrounding elements. In Tokyo, whereas most non-compound native nouns have no accent, most verbs (including adjectives) do. 1. Although anyone who has heard a Japanese woman say sugoi has heard how elongation emphasis occurs (on the syllable before i as it happens). The full story is somewhat more complicated, but here are the points you should focus on: 1. For example, the low-tone unaccented noun shimbun 'newspaper' is [ɕìm̀bɯ́ɴ́] in Kagoshima, with the high tone spread across the entire final syllable bun, but in Osaka it is [ɕìm̀bɯ̀ɴ́], with the high tone restricted to the final mora n. In Tokyo, accent placement is constrained by the syllable, though the downstep occurs between the morae of that syllable. Japanese is a pitch accent language. Tags: opinion | High-tone verbs are either unaccented or are accented on the penultimate mora, as in Tokyo. The most comprehensive textbook I’ve seen for pitch accent is Gene Nishi’s Japanese Step by Step. Learn some basics about Japanese pitch accent and some common patterns. This, and the initial rise, are part of the prosody of the phrase, not lexical accent, and are larger in scope than the phonological word. It’s extremely flexible and customizable, but also comes ready to use out of the box. Some scholars or teachers may insist that it is the rule for the accent to fall on 1st syllable of N2, e.g.
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